If you’re of a certain age, you remember this movie – and it is a good one. You can easily rate it as one of Newman’s best as well as one of the best of the 1960’s. George Kennedy’s Best Supporting Oscar was well earned while Strother Martin completely nailed the role of “the Captain”. But it is also rather horrible and was definitely a piece in the gigantic pysop which essentially talked us into giving up civilization.
What is the story? Well, Luke is a dishonorably discharged WWII veteran who in a drunken haze destroys public property (parking meters) and so gets sentenced to a chain gang. As the story goes on, we find that Luke really doesn’t like rules! He heroically resists the rules! Damn those rules! And, to be fair to Luke, he is treated unjustly – when his mother passes way, the Captain puts him in the box to discourage him from any escape attempt to attend his mother’s funeral. This is wrong. On the other hand, it isn’t exactly the worst thing that can happen to a man.
Step back a moment before that box event and remember that Luke’s mother had come to visit him shortly before her death – and in the scene we find that Luke has a brother who is married, with kids, working the family farm and taking care of his ill mother. We’re supposed to instantly dislike the brother when he hands Luke his guitar and says, “now there’s no reason for you to come home”. Cruelty! But…the brother is taking care of mom and the farm and is supporting a wife and kids and did take time out of his life to make sure his mother could say goodbye to her ne’er do well son in jail. So, maybe not cruelty? Maybe exasperation? A man who could have used some help running the farm and taking care of mom and has just had it with his brother’s pointless antics?
Can’t say – because it isn’t explored in the film, which is a paean to the anti-hero – the man or woman who simply refuses to fit in and live up to the expectations of others. We’re focused in the film on Luke and only get enough of the backstory to understand why he’s in jail…but not why he did a thing which would get him in jail, other than a general sense that he’s a rebel…and a long-time one, too. When mom visits, she talks up about his rebel ways and the one time he almost gave it up to get married to a decent women, but he wrecked that, too. The end of the movie has Luke being unjustly shot and allowed to bleed out but still showing his defiance to the end. Which, was the end of a pointless existence that was very costly to society which not only didn’t receive any benefit from Luke’s existence, but had to pay a lot of extra money simply because he had been alive.
The sum total of the movie is to make people feel that being like Luke is a good thing – that rules are just made up things that the strong impose on the weak. It is, of course, quite the other way around – the rules are to ensure the weak can withstand the strong. End the rules and you get…well, Mexico; where there are no rules in any real sense and the strong take what they want and kill with impunity. But if your goal is to erode Western Civilization – to end Christendom as it used to be called – nothing better than well-written, well-acted movies which subtly but insidiously talk people into thinking that rules are bad…as long as said rules are those of Western Civilization. Bottom line, Luke is the villain. His mother the weak-kneed enabler of the villain. His brother the heroic defender of family. The Captain is the man who has to keep a lid on the villain to prevent bad from becoming outright evil. And there really was a failure to communicate…all through the life of Luke, nobody could ever convince him that being a man requires the courage to subordinate oneself to others.
I’ve written before about how effective advertising is. Propaganda, as it were. The one thing that Hitler really did hit upon – and from Toland’s biography, he hit upon it while he was a down-and-outer in Vienna – was the fact that if you say something with conviction over and over again, people will come to believe it, no matter how absurd it is. The Big Lie works exceptionally well. This is not to say that all advertising is a lie, but that if you advertise a lie often and effectively enough, people will believe it. What movies like Cool Hand Luke were doing – and it just got worse as the decades went on – was telling a society that the sober, the hard working, the honorable were the bad guys…just a bunch of rotten, hypocritical rat bastards preventing freedom. There is a straight line from movies like this to people figuring they can attack cops for merely enforcing the law…the people who jump on cars, set things on fire, loot shoe stores are the descendants of Luke…free to run wild because the Captain is now a career civil servant who figures his pension is more important than decency. And the rest of us pretend it is normal – you see? It didn’t just affect the miscreant…it also affected us. Infected us. We’re not shooting the people who set up roadblocks and set things on fire because…we’re somehow convinced that it’s ok for savages to impose upon us. We don’t want to be seen as the Captain, right? He’s the bad guy! So is the brother! Luke is the hero! Grab those nike’s!
It is going to be a long road back to civilization – and it will take some very tough people making some very hard decisions. I don’t see a completely non-violent way out of this mess. The only debatable point is how much violence there will be…because if the Left wins, they’ll impose violence on us of the most horrific sort, and all we can do is decide how much violence we’ll apply to them to prevent this. We have to stop being so weak – so cowardly. Civilization is a necessary thing for anything above the existence of brutes – and sometimes civilization has to destroy the barbarians…even if they appear dressed nice and speaking sweet words.


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